One of the exhibition's oldest posters, done by 3nity, displays hundreds of tiny Chinese characters, signifying "man", which have been selectively thickened here and there, so that from a distance a single, large Chinese character for "God" becomes apparent in the jumble. It's this kind of simple statement that abounds in the exhibition, about everything that has ever come up between man and the divine, from atheism to fundamentalism.
The entire exhibition was born out of a book, Man + God, which 3nity launched in 2003 and which now sits out front, on sale. It's a fat, white, fascinating and strangely mesmerizing work, a collection of largely visual messages on humanity's engagement with God.
The designs within are often ingenious - there's a set of opposing pages, one with a question-mark on it to symbolize humanity and the other with a full-stop to signify God. Many of the pages have found their way, in form or spirit, into posters in the exhibition.
